Category: southern writing

creative nonfiction, Life in Alabama, southern culture, southern writing

Easter Parade

by rayclifton14 Comments on Easter Parade

In your Easter bonnet
With all the frills upon it
You’ll be the grandest lady
In the Easter parade

I’ll be all in clover
And when they look you over
I’ll be the proudest fellow
In the Easter parade

We were at the light.  Thirty-five miles away from the church where we would hear the Easter story yet again.

Maybe I should have been thinking holy thoughts on a holy day.  But I wasn’t.  My mind is always in perpetual stream-of-consciousness.  I don’t think that’s “normal,” but then again, it’s the only mind I’ve got, so I don’t know.  I often think I would like to try someone else’s brain for a bit.  Just to see.

What I was thinking at that moment was that I had become complacent.  That I no longer pay attention to life.  Don’t notice that things are going on all around me anymore.  That’s suicide if you write.

She got out on the passenger side and walked in front of the truck.  She didn’t look back.  Started walking back toward town.  Expressionless.

She was wearing white jeans and platform heels.  Blue blouse.  Looked straight out of the ‘70’s.  Out of the every-day fashion then, at least.  Not out of church fashion.  Ladies wore their finery to church in those days.  Pretty spring dresses and hats.  I miss those hats.

But she was dressed for today’s church.  The church that more than half of America doesn’t attend.

I couldn’t help thinking how important it is to always wear comfortable shoes.  Never know when you’ll have to get out and walk away from your family on Easter Sunday.

“I reckon she’s had enough” I say.

“Yep” replied the Redhead.

That’s a benefit of living with someone for nearly forty years.  Economy of words.  Hemingway on steroids.

The man was comical in a dark sort of way.  Looked straight ahead.  Like nothing had just happened.

I look for kids.  Please God, let there be no children in this Easter drama.

“What did you get for Easter? “

“Well I got a chocolate bunny and some colored eggs and mommy jumped out of the truck on the way to church.”

Easter isn’t what it used to be.  But nothing else is either. 

Have you noticed?

metaphors, Prose poetry, southern culture, southern writing

Needful Things

by rayclifton6 Comments on Needful Things

dry garden

Steps slow and measured.  Bare feet in the furrow, wisps of chalky dust trailing.  Tomorrow’s dew will settle the powder, but only until the sun peels the ridgetop. Until then a visage of singular puffs, the prints fossilized afarensis along some ancient Saharan riverbed.

The rows 36 apart, predestined and foreordained by the plow.  The seed carefully placed one to a finger-shaped hole. One to two inches deep, three to six between.  Covered by a little pat, the tenderness almost sentimental, usually reserved for the head of a good dog or a beloved grandchild.

Heart of a poet, not a farmer.

Daybreak after planting, the sky cracked-open.  Four inches in a matter of a few hours.  I stood in the midst and watched, a visage of some forlorn and demented scarecrow in a sea of swirling black feathers.  Sweat-soaked in the eve, rain-soaked in the morn.

The rows held fast, anchored to the earth by some unseen force.  Perhaps or perchance through a shaman’s trance, lips moving inaudible prayers or curses into a turbulent sky.

A week passed.  Two weeks.  Now three.

The sky sealed by a celestial signet.  Heat building each day, stacked like strata viewed bottom-up.

Such tender shoots.  Promises of ears, pods, and succulents.  Colors not green but off-green, wilting and folding inward like ancient scrolls exposed after centuries of desiccation.

Tomorrow dawn I stretch the hose.  Waters of survival only, creating a mirage of an oasis.  Temporal relief.  Water from pipes stave-off, but they do not nourish.  Treated is for human, rain for plants.

Sunday morning shower, rinse, repeat.

Odds makers book Monday at six in ten, but never wager against the home team, especially in Alabama.

I look heavenward and wait, my nursery of babes waiting to be suckled.

creative nonfiction, Life in Alabama, rural life, southern culture, southern writing

The Good Life

by rayclifton13 Comments on The Good Life

for Molly

garden

If you live long enough you gain an appreciation for those who came before you.

When COVID-19 hit and everyone was advised to practice “social distancing,” I was indifferent. “Social distancing?” I invented it. Been practicing it for years.

Then came “shelter in place” and “work from home.”

Unlike most, I could not have been happier. Stay home? Well “please don’t throw me in the briar patch Br’er Fox.”  I packed my possibles and headed to our farm.

I take liberties with the word “farm.”  Not the image the word conjures. Really just woods and a few open acres. The crops are trees and wildlife, not corn and livestock.

Finally, a chance for the good life. The life of my ancestors. A life for which I was surely born.

Now to be clear, I do not have an upper-class pedigree. I did the research. My kin were Irish immigrants and poor white sharecroppers. No royal sap in the family tree. Mostly poor folks who eked out a living with whatever they had on hand.

But I had more.  The pandemic did not take me by surprise. The farmhouse was fully stocked before the initial panic hit. While many rushed to the stores, I just sat back and watched from a distance. I am, after all, a smart man (just ask the Redhead and she will tell you “oh yes, he certainly thinks he’s a smart man”). I am forward-looking. A visionary even. I was never a Boy Scout, but I lived their motto — “Be prepared.”

I had food. I had medicine. I had gas and diesel. Masks, antibacterial wipes, and toilet paper to spare.

I might have even had a gun or two.

I also had creeks for water, trees for firewood, and wild animals for meat.

But most importantly of all, I had seeds for a garden.

I was dug-in like an Alabama tick. Ready for the long haul.

The first three weeks were blissful. I was finally able to get my work done. Almost no calls, no emails, and no visits from anyone to break my chain of thought.

My plan was executed to perfection. I put in my office hours, then headed outside to take leisurely walks and tend my tomato plants.

On a gorgeous Saturday morning I climbed aboard the big John Deere and plowed and planted my garden. It was the same kind of worn-out rocky ground that my ancestors plowed with mules, but no matter.  I could coax that sorry dirt to yield more than they ever dared to dream.

Then came Sunday morning. The storms hit at sunrise. Hail. High winds. Rain by the bucket-load. The lights flickered, then went out.

No worries. I had candles and flashlights with extra batteries. Who needs television or the internet? I had shelves of good books and plenty of paper and pens with which to write.

Paradise.

That night I laid down in sweet solitude. The bedroom windows were open, and the light breeze and the dripping rain the only sounds. My sleep was deep and filled with contented, peaceful dreams.

Monday morning, I decided to take a stroll to survey my kingdom.

Trees down. Trails blocked.  Garden mostly washed away. Creeks out of the banks. Dead battery on the Deere.

Rugged independence? Gone.

That night I blew out the candles and lay in the darkness again. You know you really cannot appreciate true darkness until you are way back in the woods with no lights on a cloudy night. I struggled to find sleep with my troubled thoughts.

As my mind raced through the stillness of that long night it finally hit me. There was nothing romantic about the way my ancestors lived. They could not run to the grocery store when the crops washed away. No cash to buy more seed or supplies or even pay back their shares. No hiding from a pandemic. If the Spanish flu did not kill their children, then cholera just might.

I understand them now. Why they left the “good life” for jobs in the cotton mill towns. Why they traded idyllic farm living for a hot, dusty job where a man might lose a hand in a second or his lungs to the lint in a matter of a few years.

I have no worries. I can start again. I have the means to replant the garden, and the grocery store is only five miles away. I still have my masks and wipes, so I will probably stay untouched by the virus, at least for a while.

I added something to my supplies. Respect for my ancestors.

The “good life” is all high cotton and buttermilk cornbread when you are playing a role in the theater of your mind.  But when you live off the land to survive it is not all it is cracked-up to be.

creative nonfiction, Humor, Life in Alabama, southern culture, southern writing

“The Moving Finger Writes…*

by rayclifton26 Comments on “The Moving Finger Writes…*

keyboard

In my previous post I mentioned that it takes hours to write one of these little stories.  That’s not exactly true.  It takes minutes to write a story but hours to edit it.  Editing is the real challenge of “trying to get the words right.”

But I confess I have another reason it takes me so long to write a story.  I can’t type.

I am embarrassed to admit that I am strictly a one finger hunt-and-peck man.  Occasionally my left index finger will get involved, but it usually doesn’t get past the “D.”

Then there’s that nasty business with the “Caps lock” key.

It’s not that I am ignorant or untrained.  I took a typing class in high school.  My friend Winfred and I were unfortunate enough to sit front and center in Mrs. Kidd’s little shop of horrors.  Winfred was a great defensive tackle who played some college ball and then went on to become a preacher.  He was my salvation at the time, because he was as bad a typist as I.

If I were a betting man, I’d wager old Winfred writes his sermons by hand.

Mrs. Kidd stood directly in front of us (actually, more like over us) as she gave instructions.  I don’t remember much about her except that she was rather stern and had big nostrils.  Added pressure there.  Ever try to concentrate while looking up at the business end of a double barrel twelve-gauge shotgun?  To make matters worse, she always carried a big wooden ruler, which she regularly applied to my hands when they were in the wrong position.

I went through that entire school year with bruised knuckles.  Told my daddy I got them at football practice.

Once a week we had the dreaded “words per minute” test.  On a good day I might manage 20, and five of those would be misspelled.  But those tests were really the only reprieve I ever got from the tyranny of Mrs. Kidd.   You couldn’t cheat front and center, but a scatterling of cheaters were behind me.

The test would go something like this: “Limber up your fingers.  Type what I’ve written on the board.  We’ll start on my mark in 30 seconds.”

Then, ever so faintly, I’d hear it.  Chick.  Chick.  Chick.  Mrs. Kidd heard it too.  It sent her charging to the rear like a rhino, ready to administer a little corporal punishment to someone else for a change.

I managed to make it through the year.  Think I made a “C” by the skin of my teeth.  But I never attempted to type again.

The other night I asked the Redhead if I was too old to learn to type.  She told me that there were plenty of internet sites that might help.  I looked at a few and thought “maybe I can still do this.”

Then I remembered what a college professor once told me.  “Research has shown that it takes about 10,000 hours to master a skill.”

If my math is right, that’s 417 days, nonstop.  If I subtract hours for leisure activities like work and sleep, I’d be looking at about five years.

That’s a big commitment.  The way I feel most mornings when I get out of bed, I’m just hoping I live another five years.

I think I’ll just stick with hunt-and-peck typing.  With the time I save I might be able to get that left finger nimble enough to reach the “F.”

 

*and having writ, moves on.”  Omar Khayyam.

 

creative nonfiction, Life in Alabama, poems, southern writing, Uncategorized, writing

The Encourager

by rayclifton22 Comments on The Encourager

I have an unpaid debt.  It is long overdue, and I am going to try and pay it now.

I started writing when I was a child.  Mostly scraps of poetry.  Truthfully, I was a little embarrassed by it.  I spent most of my youth trying to prove I was a “tough guy.”  Just hit home runs, strike batters out, and bust somebody’s head every now and then for good measure.  Writing didn’t fit the persona I was trying so hard to create, so I kept it to myself.  To paraphrase the late William Gay, “you don’t spend two hours at football practice trying to crack open someone’s skull, then come back into the locker room and say ‘Any of you guys want to hear the sonnet I wrote this weekend?’”

Being a writer wouldn’t put the fear in the boys and more importantly, it wouldn’t impress the girls.

Then one day I was exposed.

I was in a ninth grade English class when I first met a “real” writer.  He was our “Poet in Residence” for a few months.  I still don’t know how he got a gig like that.  Probably some sort of Federal Endowment to Enlighten the poor art-deprived kids in a little central Alabama town.

Now he was the image I had of a writer.  A kind of funny-looking little man dressed in jeans, flannel shirt, and one of those coats with the elbow patches.  He didn’t look like he’d ever been in a fight, unless of course someone had beaten him up.

He talked to our class about poetry, then asked us to write one.  In the next few minutes, I scratched one off.  I looked around.  Almost everyone else just sat staring at their blank piece of paper.

“Now who’s got something for me to read?”

One thing for certain, it wasn’t me.  Not only due to my secret, but also because my first line was “A short, funny-looking man in a flannel shirt asked me to write a poem about writing a poem.”

What I didn’t know was that the girl sitting behind me had been peeking over my shoulder.  She reached around me, snatched the paper off my desk and said ‘’Here’s one!”

I was mortified, but it was too late to stop it.

The poet came over.  He took it from her, read it to himself, and smiled.

“Listen.  This is just what I’ve been talking about.”

He read it.  I looked around.  The teacher was smiling.  A few of my classmates were smiling.  I think I might have even heard a “Hey, that’s pretty good.”

Now everybody knew my secret.  I felt like a circus freak.

But the thing was, I kind of liked it.  I had written something that somebody thought was pretty good.  That made me feel good.

Now I won’t say that girl completely changed the entire course of my life.  I didn’t go on to become the next Great American Writer.  You won’t find me in the bookstore, unless I’m browsing.  I wrote off and on over the years, but I still kept most of it to myself.

Then about ten years ago, I started writing this little blog.  It isn’t easy, because I am my own harshest critic.  I spend hours at it, but I am never completely satisfied with the result.  It could always be better.  It should be better.  A word more here – a word less there.  Why am I doing this?

But now and then I get a little note from that girl who sat behind me all those years ago.  It’s always something like “Hey, that was good.  I really enjoyed it.  Keep it up.”  Then that feeling I had in the ninth grade returns, and I sit down and try to do it again.  To do it better this time.

I’ve never repaid that debt to her, but I am now.

Thank you, Leslie. You are the one who gave me the courage to be a writer.  If it wasn’t for you way back then, no one would be reading this now.

You didn’t know?  Well now you do, and so does everyone else.